Afrischolar Discovery Repository (Annex)
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Secret cultism in tertiary educational institutions: Consequences and implications
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Influence of vegetable cowpea (Vigna unquiculatasub species sesquipedalis) on weed biomass and soil Nitrogen fertility status in cassava intercrop
Agricultural education and human resources development in Africa
The Preservation And Promotion Of Traditional Dance And Music In Akwa Ibom State: Challenges And Opportunities Of Akata Theatre Troupe
Traditional dance and music performances are unique artistic expressions that are deeply rooted in the cultural foundation of a society. In a state as rich in cultural heritage as Akwa Ibom, traditional dance and music play an essential role in preserving the unique identity of the people. The preservation and promotion of traditional dances and music is an important aspect of cultural heritage conservation, as this art form provides a window into the history, customs, and values of a particular community. However, despite their importance, these dances and music often face challenges in terms of preservation and promotion.The Akata Cultural Troupe offers a powerful reminder that one's cultural traditions are not just remnants of the past, but living, breathing entities that must be nurtured, protected, and celebrated. The aim of this study is to expose the potentials and challenges of traditional dances/music in Akwa Ibom for socio-economic growth, cultural preservation and promotion through the activities and administration of the Akata Theatre Troupe. The research is ethnographic in nature which entails visiting the troupe and recording her activities and administrative modalities to draw our conclusion that the Akata Cultural Troupe's rich history and cultural significance extend beyond mere entertainment, influencing the social, economic, and cultural landscape of their community thus aiding the preservation and promotion of traditional values. This research recommends that State Governments should recognize traditional dances/music as an important component of education and cultural identity, preservation and promotion.
Urban agriculture in Nigeria: The disastrous implications
Traditional communication in the agrarian society of Annang Nation
Towards transformation of Effective Teaching and Learning of Agriculture/Agricultural Education in higher Institutions in Nigeria: Issues, Challenges and the way forward
The Profitability of Weed Management Options and Compost Manure in Plantain in Afaha-Nsit, Akwa Ibom State
The constraints to implementation of agricultural and related policies and programmes in Nigeria
Sustainable Weed Management in Arable Crop Production and Training Need of Women Farmers in Ikot Ekpene Senatorial District in Akwa Ibom State.
Sustainable agronomic practices: Training needed in second planting season by women farmers in Ikot Ekpene Senatorial District, Akwa Ibom State, Nigeria
Soil Fertility Maintenance In Niger Delta Region Of Nigeria: Issues, Trends And Challenges
Sexual harassment in tertiary educational institutions: Implications and consequences.
Inadequate implementation of appropriate agricultural technology in schools and colleges
Gender participation in selected vegetable production in Akwa Ibom State
Effects of gender on methods of teaching Agricultural science in secondary schools: A case study of Uyo municipality, Akwa Ibom State
Desertification Problems and Control in Soil Fertility Maintenance
Comparison of weed management systems and their profitability in maize production in the rain forest zone, Nigeria
Agriculture and national development: Nigeria perspective
Skills acquisition in the teaching of agricultural science without gender bias
Agricultural Cooperatives and Rice Production Technologies in Ini Local Government Area, Akwa Ibom State, Nigeria.
Semantic Extension and Re-duplication in Speeches of Selected Final Year Students of Akwa Ibom State University
This work sets out to study aspects of semantic extension and re-duplication in speeches of selected students of the Department of English, Akwa Ibom State University. The objective of this research is to identify some long-observed use of Semantic extensions and re-duplication in the student's use of English.The instrument used in collecting data was observation with voice recording from thirty final year students of the Department of English, Akwa Ibom State University, using Purposive Sampling Method to achieve the desired impacts. The study adopts Halliday’s Systemic Functional Grammar theory, as a framework for analysing the descriptive use of language without following the traditional grammar model which was Prescriptive. The findings revealed that semantic extensions and reduplication are mostly used by the Nigerian speakers to express themselves and show flexibility of the English Language in their immediate environment. Though semantic extension and re-duplication can be used in speech intentionally and unintentionally, the speaker may not know that thewords used express a different meaning. It concludes that semantic extension of a word or sentence occurs to shift away from the dictionary meaning and the repetition of words to create emphasis or to prove a point in a conversation without changing the original intention of the speakers.
The Nexus Between Web Technologies and Library Services: A Panacea for Achieving Sustainable Development Goals in Nigeria
Theatre Organisation And Facility Management In Nigeria
A theatre as an organization is composed of people, facilities and systems put in place to achieve specific objectives. The people, the facilities, and the systems interplay in order to achieve the given goal. The facilities are composed of buildings, infrastructure and support services. As a production system, it is subject to wear and tear apart from the fact that both facilities and the people respond to the dictates of life cycle. Most theatres in Nigeria are designed to the conventional Euro-American style and form with similarities in space arrangement, architectural form, physical orientation, placement, space locations and its facility management policy. Assessing these theatres, there is also a progressive decay in architectural structures, technical equipment and production infrastructure due to poor management and insufficient funding by the owners. This study is based on the Field and Environmental Psychology Theory (FEPT) propounded by Kurt Lewin, Contingency Approach (CA) propounded by Lawrence and Lorsch and Ludwig Von Bertalanffy’s Systems Theory (SA). The Field and Environmental Psychology Theory examine patterns of interaction between the individual and the total field, or environments while the Systems Theory and Contingency Approach, viewed organizations as complex systems of people, tasks and technology. They looked at interaction between people and their environment. The common goal in creating public assets is to have them serve effectively and as long as is physically possible. This requires that they be prevented from falling into decay and disrepair through appropriate management.
The Technical Concepts and Design Approach: A Study of Molinta Enendu's Production of 'Noah Built the Ark'
The theatre, like every human endeavour, is in a constant state of flux. It is in this regard that technical theatre practice, which encompasses lighting design, scenic design, costume and make-up, properties, sound and sound effects, is constantly evolving as theatre practitioners carry out experiments on innovative ways of communicating more effectively with the audience. Unfortunately, the efforts of many of such theatre practitioners receive scant scholarly attention in Nigeria. It is against this backdrop that this scholarly work, which adopts the qualitative research methodology, is an examination of the technical concept and approach of Molinta Enendu in the performance of 'Noah Built the Ark'. The study adopts Edward Gordon Craig's and Adolphe Appia's "Plasticity Theory" (PL) and Adolphe Appia's "Exploration of Aesthetic Scenery in Performances" as a theoretical anchor. The study reveals that the success of a good production is most times dependent on the creative ingenuity of a designer and the technique and style used to achieve its technical design concept. This study recommends that theatre practitioners should adopt the techniques of Molinta Enendu in scenic design in order to achieve more effective ways of communicating with the audience.
Stage Scenery And Lighting: A Study Of Molinta Enendu's Production Of The Raft
The theatre, like every human endeavour, is in a constant state of flux. It is in this regard that Technical Theatre, which encompasses lighting, scenic design, costume, make-up, properties, sound and sound effects, is constantly evolving as theatre practitioners carry out experiments on innovative ways of communicating more effectively with the audience. Unfortunately, the efforts of many of such theatre practitioners receive scant scholarly attention. It is against this backdrop that this scholarly work, which adopts the qualitative research methodology, is an examination on the aesthetics of stage scenery and lighting of Molinta Enendu in the production of The Raft. The study adopts Edward Gordon Craig's and Adolphe Appia's "Plasticity Theory" (PL) and Adolphe Appia's "Exploration of Aesthetic Scenery in Performances Theory". The work reveals that Enendu is the advocate of "Kinetic Scenery Technique". This theory involves the mechanical introduction or removal of scenery in the course of a play without the support of such visible human assistants as stage hands but relying on the "Super Fly Man" who manipulates the machines. This study observes that Enendu consciously uses lights to intensify the illusion of reality and to create a world of fantasy and therefore recommends that theatre practitioners should adopt the techniques of Molinta Enendu in lighting and scenic design in order to achieve more effective ways of communicating with the audience.
Lighting Beyond Illumination: The Creative Approach by Laide Nasir in the Performance of The Mammy Water’s Wedding
Lighting is an essential part of theatrical performance that makes other elements of theatrical production visible. It is a sensitive and delicate part of any theatrical performance, which has a great influence on the audience since it depicts the mood, interprets the theme, and also dictates the actions as well as the acting area. That is why this study in a bid to explore, gathered its sample data from a lighting designer in a university-based theatre, by documenting on his techniques and concepts as used in a dramatic production, in other to draw other theatre practitioners to his amazing phenomenon in stage lighting. Unfortunately, the efforts of many of these lighting designers in Nigeria receive scant scholarly research whereas; they play a major role in any theatrical production. However, there are also many inadequacies that still hinder the creative ingenuity of these lighting designers, which include funding, poor technical nfacilities, lighting equipment, and even the provision of new technology by the theatre owners. This study adopts the qualitative research methodology, which combines research principles using a formal form of data collection encompassing practical fieldwork, analytical and documentary methods. A purposive technique was used in selecting the designer and his performance in view. The study also adopts Edward Gordon Craig’s and Adolphe Appia’s “Plasticity Theory” (PL) and Adolphe Appia’s “Exploration of Aesthetic Scenery in Performances Theory”. The study reveals that Laide Nasir uses suggestive realism or surrealism as his performance style. And from findings, the study recommends that adequat lighting equipment should be provided for institutions where theatre is being taught, so that students who have interests in learning theatre design can be exposed to high level of technology while in school. And also, conscious efforts should be made by designers and theatre scholars to document on the scenic design and stage lighting concepts, techniques and styles as applied in their performances.
Assessment of Educational Theatre Houses: Chinua Achebe and Crab Theatres
The study assesses the relationship between theatre architecture, structure, facilities, the use of space and personnel with regard to the evolution and development of the theatre. It discusses the architectural design of theatre structures, having in mind the necessary things needed to build a well equipped and professional Theatre House.